Carte Blanche

Samuel R. Delany

May 20–Jun 5, 2021

Online

Le sang d’un poète (The Blood of a Poet). 1930. France. Directed by Jean Cocteau. Courtesy Edward T. Ricci/Photofest

Virtual Cinema screenings are available exclusively to MoMA members. Not a member? Join today and start streaming.

On the occasion of his 79th year, Samuel R. Delany, multi-time Nebula and Hugo award-winning author and lauded literary critic, taps into a lifetime of cinematic obsessions for MoMA’s Carte Blanche series. Delany’s colorful picks—encompassing the classical avant-garde of Jean Cocteau’s The Blood of a Poet, Maya Deren’s Meshes of the Afternoon, and Jean Vigo’s L’Atalante; masterworks by Michael Powell and Luis Buñuel; and newer treasures like Peter Jackson’s King Kong and Martin Scorsese’s Hugo —honor the expressive power of the fantastic on film. Accompanying his selections are a rare screening of his own experimental science-fiction featurette The Orchid and Fred Barney Taylor’s effervescent portrait of the author, The Polymath, or The Life and Opinions of Samuel R. Delany, Gentleman.

Of his choices Delany writes, “Sometimes I feel like the character in Myra/Myron Breckenridge who announces something to the effect: Between 1938 and 1950, there were no bad films made in the United States of America. That’s kind of how I feel about all films. It’s like Andrew Saris said, 'There are no amateur films. They’re too expensive to make. If you can afford to make a film, you’re making a film.’”

Organized by Ron Magliozzi, Curator, and Carson Parish, Theater Manager, Department of Film. Films selected by Samuel R. Delany.

Film at MoMA is made possible by CHANEL.

Additional support is provided by the Annual Film Fund. Leadership support for the Annual Film Fund is provided by Debra and Leon D. Black and by Steven Tisch, with major contributions from The Contemporary Arts Council of The Museum of Modern Art, Jo Carole and Ronald S. Lauder, MoMA’s Wallis Annenberg Fund for Innovation in Contemporary Art through the Annenberg Foundation, the Association of Independent Commercial Producers (AICP), The Junior Associates of The Museum of Modern Art, the Samuel I. Newhouse Foundation, Karen and Gary Winnick, and The Brown Foundation, Inc., of Houston.

Licensing

If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations).

All requests to license audio or video footage produced by MoMA should be addressed to Scala Archives at [email protected]. Motion picture film stills or motion picture footage from films in MoMA’s Film Collection cannot be licensed by MoMA/Scala. For licensing motion picture film footage it is advised to apply directly to the copyright holders. For access to motion picture film stills please contact the Film Study Center. More information is also available about the film collection and the Circulating Film and Video Library.

If you would like to reproduce text from a MoMA publication, please email [email protected]. If you would like to publish text from MoMA’s archival materials, please fill out this permission form and send to [email protected].

Feedback

This record is a work in progress. If you have additional information or spotted an error, please send feedback to [email protected].