Regina Silveira. Enigma 4. 1981

Regina Silveira Enigma 4 1981

  • Not on view

In the shadow of the Brazilian military dictatorship, Silveira pursued an elusive art, by necessity and by design. Absence and isolation, illusion and distortion were not only promising artistic strategies, but also richly meaningful metaphors in an era of severe political repression. Silveira made Enigmas by photographing an object and carefully drawing an opaque mask over it during the exposure process. In the resulting images, the masks produce the illusion of shadows, absent of visible volumes from which they were cast, that loom large over each object.

Around this time, shadow (and its corollaries absence, trace, and afterimage) became an essential subject for Silveira, and she sought new alternatives to the rigid authority of a singular perspective. The incongruous pairings of mundane household objects with shapes that are more difficult to classify (and that are alternately menacing and harmless) hint at her fascination with Marcel Duchamp's Readymades.... Silveira's Enigmas deftly synthesize her fascination with the ancient art of skiagraphia (shadow painting) and anamorphosis (the distortion of a singular perspective captured from oblique angles) that would become central to her practice.

Publication excerpt from Sarah Meister, Excerpt from "Enigmas: The Works of Regina Silveira", post: notes on modern & contemporary art around the glob. 2015.
Medium
Gelatin silver print
Dimensions
11 5/8 × 15 1/2" (29.6 × 39.4 cm)
Credit
Latin American and Caribbean Fund
Object number
530.2013
Copyright
© 2021 Regina Silveira
Department
Photography
Licensing

If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations).

All requests to license audio or video footage produced by MoMA should be addressed to Scala Archives at [email protected]. Motion picture film stills or motion picture footage from films in MoMA’s Film Collection cannot be licensed by MoMA/Scala. For licensing motion picture film footage it is advised to apply directly to the copyright holders. For access to motion picture film stills please contact the Film Study Center. More information is also available about the film collection and the Circulating Film and Video Library.

If you would like to reproduce text from a MoMA publication, please email [email protected]. If you would like to publish text from MoMA’s archival materials, please fill out this permission form and send to [email protected].

Feedback

This record is a work in progress. If you have additional information or spotted an error, please send feedback to [email protected].