Max Beckmann. Self-Portrait with a Cigarette. Frankfurt 1923

Max Beckmann Self-Portrait with a Cigarette Frankfurt 1923

  • MoMA, Floor 5, 514 The David Geffen Wing

This is one of many paintings and prints in which Beckmann used self-portraiture as a form of role playing. Here, he presented himself as a stern and successful businessman, holding a cigarette in a gesture of nonchalance or defiance. But at the lower left, almost imperceptible, is a red polkadot sash. A sly reference to the dress of a clown, it mocks and rebukes his mask of authority. Beckmann frequently portrayed himself in circus costume.

Gallery label from German Expressionism: The Graphic Impulse, March 27–July 11, 2011.
Medium
Oil on canvas
Dimensions
23 3/4 x 15 7/8" (60.2 x 40.3 cm)
Credit
Gift of Dr. and Mrs. F. H. Hirschland
Object number
255.1956
Copyright
© 2021 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn
Department
Painting and Sculpture

Installation views

How we identified these works

In 2018–19, MoMA collaborated with Google Arts & Culture Lab on a project using machine learning to identify artworks in installation photos. That project has concluded, and works are now being identified by MoMA staff.

If you notice an error, please contact us at [email protected].

Provenance Research Project

This work is included in the Provenance Research Project, which investigates the ownership history of works in MoMA's collection.

Acquired from the artist by J.B. Neumann (1887-1961), New York, by 1927 [1]; Franz H. Hirschland (1880-1973), New York, before 1930 [2]; The Museum of Modern Art, New York, 1956 (Gift of Dr. and Mrs. F.H. Hirschland).

[1] Erhard Göpel and Barbara Göpel, Max Beckmann: Katalog der Gemälde, Bern: Kornfeld & Cie., 1976, vol. 1, no. 221. Included in the exhibition Max Beckmann, New Art Circle (J.B. Neumann), New York, April 12-May 11, 1927. Reproduced on the front cover of Art Lover: I.B. Neumanns Bilderhefte: Max Beckmann, April 1915.
[2] Included in the exhibition Modern German Painting and Sculpture, The Museum of Modern Art, New York, March 12-April 26, 1931, no. 7. Lender: F.H. Hirschland.

Provenance research is a work in progress, and is frequently updated with new information. If you have any questions or information to provide about the listed works, please email [email protected] or write to:

Provenance Research Project
The Museum of Modern Art
11 West 53 Street
New York, NY 10019

Licensing

If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations).

MoMA licenses archival audio and select out of copyright film clips from our film collection. At this time, MoMA produced video cannot be licensed by MoMA/Scala. All requests to license archival audio or out of copyright film clips should be addressed to Scala Archives at [email protected]. Motion picture film stills cannot be licensed by MoMA/Scala. For access to motion picture film stills for research purposes, please contact the Film Study Center at [email protected]. For more information about film loans and our Circulating Film and Video Library, please visit https://www.moma.org/research-and-learning/circulating-film.

If you would like to reproduce text from a MoMA publication, please email [email protected]. If you would like to publish text from MoMA’s archival materials, please fill out this permission form and send to [email protected].

Feedback

This record is a work in progress. If you have additional information or spotted an error, please send feedback to [email protected].