The footprints at the top of Diver, the handprints at bottom and center, and the arrows, powerfully evoke the physical movement of a dive. But Diver also provides a metaphor for Johns's artistic process: we are invited to immerse ourselves in the rich surface of his thoughts. A dive can be seen as a suspended moment between life and death (the two handprints can also be read as a skull)—and this work has been interpreted as, in part, an homage to the poet Hart Crane, who dived to his death from a ship in 1932.
Gallery label from 2006.