In 1964, the 40-year-old Marcel Broodthaers entered the world of art with his first solo exhibition. Until the early 1960s, he was a poet and photographer with ventures in filmmaking, journalism, and dealing books—but he had not yet exhibited visual art. He heralded his arrival on the art scene with an invitation printed in block lettering that declared: “I, too, wondered whether I could not sell something and succeed in life.” In this sideways shift, Broodthaers launched his own career with the same wit and skepticism that would characterize his approach to art.
Posts by Marina Molarsky-Beck
A visitor to MoMA’s current Marcel Broodthaers: A Retrospective exhibition must traverse a sea of potted palms to enter the galleries. The palms, along with a series of prints hanging on the surrounding walls, comprise a work entitled L’entrée de l’exposition (The entry to the exhibition).
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